No doubt, the killings of Alison Parker and Adam Ward have really shaken up fellow TV journalists from all over. And whenever a tragedy like this happens there are calls to action.
Including two stations in Milwaukee that are not doing discretionary live shots the day after this attack. Several excellent articles have already come out asking broadcasting companies and station managers to consider using live shot delay buttons (similar to what is done in radio),
think about the dangers of one man banding  and raise the issue of live crews routinely feeling very vulnerable while on live shots. All of these are excellent points that journalists frankly should push for discussion about in their newsrooms. In the meantime “Survive” is all about very practical tips that you can do right here, right now to handle difficult situations you face each day in TV news. So let’s talk takeaways that deserve to be heard and implemented right now.

What I am hearing from TV journalists is this horrible loss hit everyone hard. And when something like this happens staff members really want one thing to happen right away: To hear from newsroom leaders that they recognize the concerns this creates, that there are provisions in place and more being discussed and that management passionately wants their crews to be safe. You can say this is a lot of hot air and we need to move forward. But simply put, at a time of crisis, staffers want to believe their leaders have their backs. So if you are a news manager reading this, it is not silly or stupid to make a few remarks. Your newsroom needs to hear it. In fact, at this point they are distressed if they haven’t heard it.

If you are an MMJ you need to think about how you select where you will be live. If you are told you have to be live, then look for a location where there are people around in case you need help. If you are covering an arrest, go from in front of the police station if you can. If the scene is active go live as close as you possibly can to where the officers are working. If the scene is about to be over and you will be standing alone in the dark, call and ask to send in a look live before the cops leave. If you have to, ask an officer or deputy if they can wait just a few more minutes to watch your back as you finish up. If they are already gone, call the department and tell them you are feeling unsafe, but have to stay, and ask if they can send an officer by. All they can do is say “No.” But sometimes they say “Yes.” We can only hope that managers will stop and think harder about the need to have MMJs going live on a regular basis. But again, we need to talk practicality here. Many of you went live the same day as the attack. Many more will go live today. Keep your eyes out, and stay within ear shot of other people. MMJ’s should play it even more safe and conservatively when going live than two or three person crews.

Managers when you think about where you are sending live crews, think about their surroundings. I have always been a proponent of cross training, this is even more true now. If you are not very familiar with the coverage area, at least take some time on your off days to drive around and explore the common areas where you send crews. Get a good idea of what they face. I understand that the story the WDBJ crew was covering was in an area considered safe, and did not have controversy around it. But crews face more than you might realize day to day. See it, so you can more easily identify solutions if a crew calls with safety concerns. Educated suggestions go a long way. Also reiterate to your crews that if they have concerns you will listen, offer suggestions and try to help in any way you can.

I hate to have to include this, but I worked in news long enough as a producer and manager that this has to be said. If you are one of those crews, that says you are nervous just to get home earlier (Yes, there are some people like this, and yes, I had to deal with some firsthand at nearly every station where I worked) you are doing your co-workers a great disservice. If you cannot handle the hours and workload, get out of TV news. Now, more than ever, a trust has to be inherent between news crews and managers back at the station. If you say you are not feeling safe, that has to be true. Be responsible. This will go a long way toward managers being able to more easily trust all their crews. Read “The Little Boy Who Cried Wolf” again if you need. And managers remember, one bad apple should not ruin the crop especially if you deal with the bad apple. The vast majority of news crews come in ready to give 110 percent. If they say they feel vulnerable, the fast answer of “just deal with it” is not correct.

Can we please stop letting consultant advice take precedent over common sense in newsrooms? In this day and age viewers take live shots for granted. Many, I promise, barely notice that “Live” bug. Managers, if in your gut when assigning a crew a story you think the live environment will stink, do not assign it as live. You can still have crews in live trucks, turning their pkg in a little earlier in case a breaker happens. In fact that is the smartest thing you can do. Live shots are meant to cover breaking information. It is the fastest means to get viewers the facts. If every newsroom reiterated this definition tonight, that move alone would prevent a lot of live shot photo bombing, “f her in the…” incidents and would make it a lot harder to predict where live shots will happen. Therefore, making it harder for people with less than good intentions to find your live shot locations.

Yes, if it’s the first night of the state fair, it will make for a great live shot. Do it. But overall, many live shots in newsrooms today have no point except to slap a “Live” bug up. By just saying no to live shots in dark holes, in front of empty buildings and hours before or after an event where there is nothing to show, you are making crews less vulnerable. Remember, safety in numbers. The best live shots have action happening all around them anyway. Being live is the best/only way to get the latest information quickly to viewers when it is changing. Those should be the parameters for live shots. And MMJ’s, no live shot is worth big risk. If your gut says no way, call your manager. The beauty of digital news nowadays is there are so many ways to tell a story.

Finally, all of us need to recognize that no matter how much we try to stay safe, things like this can happen. No one could truly predict what happened in Virginia, despite what’s coming out about Vester Flanagan’s past. That’s why Alison and Adam are heroes to fellow journalists. They did their jobs all the way to the end. Adam’s dedication and ability to get the image of the shooter is something I think all journalists will carry with them. We are trained to be eyewitnesses. We will fight to bring the facts to the viewer. And now we’ve been reminded again that there are risks. May the reward continue to be greater.

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