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Why photographers are a reporter’s best friend.

Chinese philosopher Mencius said: “Friendship is one mind in two bodies.” This is the basis of why I tell young and/or inexperienced reporters that their best “friends” in a newsroom should be the photographers they work closely with every day. Being of “one mind” about the stories you tell on a daily basis is the difference between below-average to average TV news stories and great, memorable storytelling that gets viewers to pay attention and your work noticed.

Whenever I move into a new newsroom, the first thing I do is take inventory of the photography staff. Who’s good? Who’s average? Who’s motivated? Who’s not? And most importantly… who gets “it?” Do you know what I mean by “it?” I mean simply: storytelling. It is THE number one thing that can take your career as a reporter to limitless heights. (For more on storytelling see this article https://www.survivetvnewsjobs.com/?p=306) Most of us know it when we see it and you should definitely look for it whenever you start in a new shop as well. Once you have identified the “players” among the photography staff, buddy up with them! Why? Because they can make your daily life easy as well as set you up for a successful career path. On the opposite end of the spectrum… news photographers can also make your life a living hell if you dis them. Think about that last point for a moment. You work your tail off turning your story (or in most cases today, stories) for that night’s newscast(s). You find good “characters”, ask all the right questions and write a gem of a script. You get it copyedited and it’s ready for the photog to edit into a masterpiece of local news storytelling. But there’s one problem: You are the reporter who gives “orders” to photographers rather than asking nicely when you need something from them. You are the reporter who sits in the truck playing on your smartphone while the photog busts his/her butt breaking down the live shot in the cold. You are the reporter who calls every story “my story” rather than “our story.” So, guess what, Mr. or Miss Photog is magically having “editing problems” or just can’t get an edit to take. Suddenly, that masterpiece of storytelling that was filled with characters and nat sound becomes just another news package slapped together so it can make air. Think it cannot or does not happen? Wake up Alice, you’re in Wonderland! It can and does.

On the other hand, what if you’re the reporter who always helps carry equipment and break down live shots? What if you’re the reporter who ends every recorded interview by asking the photog if they have any questions for the interviewee? What if you’re the reporter who asks the photographer to brainstorm ideas on making the standup different and visually stunning? And what if maybe you’re the reporter who always, and I mean always, tells the photog what a great job they did on “our” story today/yesterday or last week with another reporter? Well, suddenly Mr. or Miss Photog is busting their hump to get some extra nat sound and a few extra tight shots to really make the story sing! Keep it up, make it a habit and you’ll soon be getting that effort everyday when you work with that photog. Then, that photog will tell the others on staff how cool it is to work with you and you’ll start getting the same effort from every photog you work with. Next thing you know you’re work is noticed as excellent by your bosses and eventually the newsroom you target as the next stop on your march to TV news greatness!

The best friend I’ve ever had “in the business” is a photographer. He just so happens to be what I would consider among the absolute best in the business too with an entire room filled with Emmy and other high level awards. But there was a time when neither one of us knew what it meant to make really good TV. We didn’t even know the term “storytelling” much less what it took to do it. But as our friendship developed so did our relationship as co-workers. We discovered that we both wanted to know what it took to be really good at making really good TV news stories. So, we set about teaching ourselves. We constantly challenged each other to learn and try new things in our stories. It didn’t take long for both of us to start down the path to great storytelling. Had we thought of each other as “just a photog” or “just a reporter” rather than as the most important part of the daily equation, neither one of us might have gone on to the successful and long careers we enjoy.

Unfortunately, there are many, many people in this business who do view TV News Photographers as “just photogs.” Don’t be one of these people. TV News Photographers really are THE most important part of the equation. TV news is at its best when it truly harnesses what no other news medium can harness: effectively blending moving pictures, with sound and words. When it makes you feel like ”you are there.” A reporter can write the words and even say the words. But without a photographer there is no way you are grabbing all three and making viewers feel connected with great TV news storytelling. So don’t forget about your true “best friends” in the newsroom. As Mencius suggested, be of “one mind in two bodies.” Make sure you make it clear to photogs that you know how important they are to making everyone in the newsroom more successful. Your job today, and career down the line, will not be sorry and you just might come away with some really good friends too!

The ultimate tease challenge: the daily update on a recurring story.

If you ever wondered why you see producers sitting at their desks mumbling to themselves, then pacing in a hallway, this is it. Teasing the story that seems like it just won’t end. The rising flood waters waiting to crest, the trial that drags on forever, the storm damage cleanup that is so important to cover, but looks the same each day.

These are stories that, after a while, management and producers must debate on whether to tease at all, or does the viewer just expect the coverage to be there and watch for something else. While that debate rages, producers are often faced with a looming deadline and overnights that say they get a spike when coverage of that topic airs.

So what do you do when there’s no obvious unique element? Look beyond the obvious. Sometimes you need to come up with an interesting sidebar tag that would have viewer benefit. This is the time to search Twitter and tweet your sources for interesting tidbits that you can fact check and possibly add to your coverage in some way. You can also call a buddy who’s not in the business and ask where the coverage seems to be lacking for the story. They might have an idea you never thought off that would make a great vo/sot or even an outboard package. Also, have reporters keep an extra eye out for interesting character development that you can turn into an interesting tease.

Anchors are a great resource in this difficult time. They often are approached by people with interesting questions you could answer as an added element to your coverage. It’s a great tease option because it enhances your anchor’s credibility, with a viewer benefit. You asked and we got the answer for you! It engages viewers who often feel we talk at them instead of to them.

If there really is nothing interesting to tease about the ongoing story, talk with management about whether you can move the tease out of its traditional place, like the end of a block. This is a great time to do stealth teases (see article “You’re Hooked“) in the middle of the a-block for example. You can put the anchors on a two shot and have them say something like, “Hey, in 5 minutes we’re going to get an update on the trial. I hear (reporter) has (a quick line with the gist of the pkg).” Then go on with the newscast.

The one thing you want to avoid at all costs is the tease that goes something like these “Up next the latest on the Casey Anthony case.” or “We have the latest on cleanup of the tornado damage in Joplin.” These are the ultimate throw away lines and will cost you credibility with the viewer. Keep in a mind that viewers expect you to have the latest on a big story. That’s the reason they are tuning in. They believe in your ability to cover the ongoing stories. Don’t let them down by trivializing it with only a “coming up, the latest.” It makes your station seem callous and sloppy. Viewers are taking this story seriously. You need to as well. You don’t have to have a wow factor each day. A simple headline in a tease is okay. It helps viewers know when they will get the daily update. Taking a quick hit with a live reporter also can work, but coordinate with the reporter ahead of time to make sure he/she doesn’t give away too much. Viewers think it is cool if you check in live on something, it shows immediacy. Have the anchor say something like, “We’re hearing court is about to wrap up right now, (Reporter) interesting day?” Reporter says: “Yes, in fact we had something just happen that we will tell you about in two minutes.” You aren’t exaggerating, you are not giving the story away, you are showcasing a live ongoing event with immediacy. Again, viewers love feeling like they are in the moment. Another way to consider this along similar lines: Teasing these kinds of stories is like teasing weather. Some days the information is huge and you need to blow it out. Some days there’s not much to it, but you want the viewer to know you always have their best interest in mind, even on a sunny cloudless day. You want to shoot straight and build credibility for the times the teases are easy to write, because what you have to share is fascinating. Do these things and the amount of time you spend mumbling to yourself in the hallway, will begin to shrink!

Storytelling on a dime.

You hear it all the time. Reporters and photographers say something to the effect of: “Storytelling is great and all, but I’ve got too much to do and I don’t have time for that stuff.” And while I understand where those comments come from, I don’t buy it. TV news today is filled with more deadlines and “side work” than ever before. Often your day starts with: “Welcome to work, now get out the door we have a story we need you live on at noon.” You knock that out and then it’s on to your “real” one or two stories for the evening shows. Then there are the standup teases, vo/sot’s and versions of your story(ies) for your station’s website. Most of us also, blog, tweet, and possibly take some still shots for the website. No doubt it’s a LOT of work! But I promise you, storytelling does not have to add extra work to that pile. It really is easy to pump out good storytelling “on a dime!” It’s just a matter of shifting your way of thinking.

Typically, the toughest stories to get your storytelling mindset right, are the so-called “boring newspaper” stories. These are the stories where you have to interview some sort of “official” and, because of deadline demands, no one else. So, how do you “tell a story” when all you have is an official and their boring “officialese?” First off, while the photog is setting up for the interview, talk with the interviewee about anything but the story you are covering. Take a look around the office if that’s where you are talking. Often, you can find some great tips into who this person really is in “real life.” When you find something, chat him/her up about it. I remember one recent interview where I thought I was dead in this respect. The guy was nice enough but not the most personable and clearly not comfortable about being interviewed on camera. Then I noticed a photo of him with one of the most well-known politicians of the last quarter century. It turns out that he once did security work at a very high level. I asked him about it and it eventually led to some common ground between us. That little nugget helped immensely. First, it loosened him up for the interview and allowed me to pull some bites out of him that had a little personality. Secondly, it gave me a way to make this “official” more of a “real person.” I started the piece by talking about how this man had once protected some of the powerful people in the country, but now helps offer a different kind of protection for this small town. His past really did not have squat to do with the story of the day, but it gave me a way to turn this guy into a “character” in our story. When you can do that, you give viewers a reason to see that person as more than just some “official.” You have them interested in watching. Remember, good stories have characters. Turn your subjects into characters, not just officials who give you sound bites.

Nat sound is another area where you CAN add to your story without a ton of extra effort. It comes down to this: Shoot (and use) just about anything that makes sound to give your stories some life. Seriously use just about anything. Nat sound that is integral and directly related to your story (the power saws in a story about construction or crackling flames in a spot news fire story) are always the best. But that kind of sound is not always there. If it’s not, look around and try to find something else. The idea behind nat sound is getting people engaged in your story. Read any study or talk to any consultant about what people are doing when the news is on their TV. They are normally doing everything but “watching.” In the morning they are making breakfast, getting dressed for work or getting the kids ready for school. The TV is on, but it may as well be video wallpaper. So, your job is to give them a reason to stop what they’re doing, turn around and watch. Nat sound is a way to do that. Say you’re on that story about construction. But, in the time you’ve been given to shoot it, the crew is on a lunch break. You are stuck right? Nope, you can overcome. Look around, are there people getting in and out of cars (car door sound)? Maybe there’s a fire truck or ambulance going by with a siren on. Sometimes using seemingly unrelated nat sound is just the trick. Think about it. You’re at home with the news on but aren’t sitting and watching. You know the reporter is talking about construction and all of a sudden you hear a siren! What the…? You are probably going to turn around to see why. This is why you shoot and try to use any nat sound you can get. You want to make viewers turn around and pay close attention. Again, it’s really not any extra work. But it will add immeasurably to the quality of your stories.

When it comes to writing, try to use a piece of that nat sound off the top. Failing that, make sure you start by establishing the character you’ve easily uncovered using the tips above. Fill in the middle with the meat of the story you’ve been assigned. Then end it with another tidbit that makes your subject a “real person.”

All stories have a few basic things in common. They have a beginning, a middle and an end. They also have characters. Shoot and write with these things in mind and you cannot go wrong. Turn these things into habits and suddenly your “reports” turn into “stories” and your work begins to stand out from all the “Just the facts, Jack!”, boring, information presenters. Quickly you will establish yourself as a “storyteller.” Your producers, EP’s and News Director will appreciate you more and your resume reel will become stronger and more marketable. Suddenly the next chapter in your personal, career story becomes much more interesting with minimal investment from a little storytelling on a dime!

How to generate story ideas when you are swamped

Journalists are constantly told to source build and break stories. Problem is, in many shops you are given two packages a day and have no time to work the phones and source build. That’s what you think, but it really is possible. There are ways to generate fresh story ideas that do not take a ton of time. You also can source build. It will take some of your too precious free time. But the payoff is making you more valuable to the station.

So how do you come up with interesting stories when you have next to no time? Here are some ideas to get you started.

First, some help for reporters. Try and “befriend” one person a day while covering the news. This could be the secretary you have to stare at while waiting for an interview, the officer telling you to wait behind the yellow tape, even the restaurant manager at a local dive where you bought a sandwich. Ask them about themselves and hand out a business card. Make sure you get their card too. A few days later, send a quick email saying you really enjoyed your conversation. If you learn the person loves a football team or has kids that like to play sports send email links to interesting stories every once in a while. Bottom line: Build a connection. If you have time to write an update on Facebook, you have time to send a quick link to these new potential sources.

Set up a Twitter account and use it. When we say use it, we don’t mean throwing up a meaningless self-serving plug for the story you are reporting on that very day. Throw up a comment about something interesting you read about. Mix up the comments so you are engaging to follow. Give snippets of what it’s like to be a TV journalist each day. But keep it positive. Remember, employers and potential employers often research Twitter and Facebook accounts. For example, don’t gripe about how much you “hate” your assignment to babysit a “dumb” police standoff. But do mention that your feet sure do hurt after waiting two hours for the standoff to end. The first makes you seem look childish, petty and unprofessional. The second, however, makes you look real and is something your followers can identify with. Twitter is an amazing resource most people are not using correctly. It is a chance to tap directly into what people are thinking about each day and what they want to learn more about. You will gain a following and, eventually, you’ll also start getting interesting tips. The key to Twitter is creating a human connection not another shameless, weak marketing ploy that just ticks people off. People on Twitter tend to obsess about being in the know, right now. You will lock them in if you make them realize they can literally be your eyes and ears and that their ideas may actually make it on the news.

Next, contact the Better Business Bureau and county or state run groups that help small businesses get off the ground. Let these organizations know you are building a list of experts. This can help you when you are suddenly asked for an out of the box story on damage prevention during bad weather or the latest housing or computer scam. These businesses need publicity and cannot, generally, afford to buy ads. But they can afford to send you a quick email pitching ideas once in a while.

Look at blogs on local newspaper websites. People go off on interesting things that sometimes turn into colorful television. How about the guy with the American flag that is too big for the homeowner’s association by-laws? Many of these kinds of stories turn up first in these blogs.

Now let’s talk about generating interesting stories if you are a producer. Yes, it’s hard to source build when you never even leave the newsroom for lunch. So use the computer to get ideas. Search for blogs and groups online that target your key audience. Then browse them several times a week for fresh information. These groups constantly dish. Also keep your ears open when you go to the gym, pick the kids up at daycare or stand in line at the grocery store. You will hear what people are concerned about. These tidbits can turn into interesting stories that you can “produce up” in your newscast. Also look at the hottest video of the day online, then try and come up with a local spin. A Twitter account can be a great asset for you as well. Build your following in the same way we just laid out for reporters.

Finally check out what other stations around the country are covering. Go to a few station websites in areas nearby and see what they’ve played up. Often you can at least find a consumer story with universal appeal.