This can be hard to admit, but it happens to everyone. Cold sweats, waking up dreaming of your live shot or newscast crashing are all part of the gig. Getting chewed because you cannot complete all of your work happens, especially with more stations lumping on extra packages or making people one man band.
Now let’s talk survival skills. First, understand there is little to no training in newsrooms anymore. It simply does not happen in the majority of cases. Every shop is understaffed and half the workers are also in over their heads. Many managers are drowning and lost too. By the way, this is supposed to make you feel better. That’s because these journalists are surviving and so will you.
Here’s what to do. Find the go to person who gets the work done every day with little trouble and become a buddy. Find out how the person does it and figure out how to do it yourself. If you don’t feel comfortable simply asking, then hook up with others in the know. For example, if it’s a reporter who you’re trying to figure out, request to work with that person’s favorite photographer. Then pick the photog’s brain. Look online at the reporter’s past stories and look for patterns. If a producer is your target, ask the newscast director what this person does to make script printing deadline or create killer teases. Let’s say your writing stinks. Don’t worry, this is common. Figure out who the best writer is in the shop. It’s easy to do. Just listen to the anchors dish with each other, you will learn who it is quickly. Once you do, start printing out this person’s scripts and look for common threads. Then you can mimic the style.
There also is usually a manager that stays very calm in crisis. That person will often give you advice if you just sit down and ask. Managers are not all out to get you. Replacing staff all the time is a pain and most would prefer not to deal with it. It’s easier for them to do some training. But you need to ask the right manager. The news director is next to never the smart choice. Often it is an executive producer or managing editor. They are still in the trenches so they can still relate to what you are struggling with. Once you identify the right person, ask for a critique of your work. The manager will probably be thrilled you actually want to improve and talk your ear off. They also tend to dish about their favorites in the shop. Now you have a new set of names to watch and mimic. Best of all, you will gain an advocate in management because you are not whining about how hard the job is, you are asking to grow.
